
Welcome
Art from the Heart
Transform your environment with unique original Chinese Brush paintings
Signed in as:
filler@godaddy.com

Transform your environment with unique original Chinese Brush paintings
Of the richness of art traditions in the world today, ink and color wash painting, originating in the East, is considered to be the paramount of Asian arts. In past decades, ink painting was developed to a very high level. Chinese painting has come to occupy an eminent position in world art history due to its brilliant achievements in artistic expressions. Through the use of ink, five colors, and various brush techniques, images are created that capture the form and spirit of what is seen in the outer world, becoming an interplay between ink, heart and mind. The artist shares her feelings and interpretations with the viewer. To look to one’s own heart for inspiration is most important in creating an outstanding work of art. Techniques can be taught but inspiration belongs to the artist.
Returning from Exile to Self
I was born during the war years in a small steel-mill town along the Wabash River in Attica, Indiana. I had never heard of China. I did not know the word exile. I did not know that art could become a homeland. I only knew there was something in me that felt larger than the world I lived in — and too tender to risk showing.
In a house where certain things were not spoken, and in a culture where girls learned early to be careful and pleasing, I learned to tuck my bigness away. It did not disappear. It went underground.
Years later, walking through Chinatown in San Francisco, I stepped into a narrow shop filled with ink, paper, and stillness. Before ancient landscapes — mountains rising through mist, twisted pines gripping stone — I felt recognition. Relief. As if the river of my childhood had been carrying me there all along.
There were years when I lived for the art, through the art — when the brush became something to hold onto because what was “out there” was not reliable. The things I chased never filled the deeper longing. Eventually, I began to see that the longing was not outward at all. It was inward.
The Still Point™ is the place I enter when I paint. It is not dramatic. It is a quiet center beneath performance and striving, where brush, breath, and memory meet. From there, I place my work beside the masters who inspire me — not to measure, but to listen. What survives exile? What softens grief? What returns when we stop hiding?
As I paint, long-buried grief loosens. What I once called “lost potential” reveals itself as waiting presence. The young girl who hid her brilliance now stands beside the woman who is beginning to trust her brush — and herself.
I thought I was becoming someone new. But I was coming home to who I had always been.
I come back to the paper each week. Ink. Water. White space.
If this speaks to something in you — the ache of exile, the longing to return — I invite you to come back as well.
A new painting and reflection is added to Notes from the Stillpoint™ each week.
Auspicious Mountain Mist
Landscape in the manor of Chou Ch'en, early 16th Century. Ink and color wash on rice paper 26 1/2 “ x 13 1/2” mounted ready to mat and frame.
Homeward Bound with the Day’s Catch
Representative of Gong Xian (1618-1689), Qing dynasty. Ink and color wash on rice paper. 27" x 14" mounted, ready to mat and frame.
Notes from the Stillpoint™
© 2026 Beverly Valentine. All rights reserved.“Notes from the Stillpoint ™” is an original work and title created by Beverly Valentine. All written content is protected under U.S. and international copyright law. Unauthorized reproduction or use without permission is prohibited.
We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.